The Importance of Honest Feedback

By Judy Penz Sheluk

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Writing is a solitary pursuit, one where we spend countless hours of our lives, often laboring over a single sentence or paragraph for more time than most of us care to admit. So, it’s only natural that we become protective of our words. After all, something that took hours to perfect must be, well, perfect, right?

If only that were so. Unfortunately, as writers, we are simply too close to our work to see the flaws. Oh, we may find the typo on page 75 on reread, the one where we’ve called a car a cat (though even that is iffy), but the overuse of a favorite trope, phrase, or gesture (my characters love to nod). Maybe not so much. And that’s why we need feedback.

Feedback comes in many forms and at various stages of the writing process. The most important thing to remember is that you are looking for an honest and unbiased evaluation of your work. You may not agree with every comment or suggestion, but you should at least consider each one without becoming defensive. Consider it “thick skin” training for the rejections you’re almost certain to face going forward. 

Let’s look at some options:

 Writing Critique Groups

While there are no hard and fast rules, these work best if the group is small—three to five people—allowing each member time to read and respond without becoming overwhelmed. It’s essential to establish parameters from the get-go, such as weekly word count limits and the type of feedback expected. 

While critique groups can be invaluable for some writers, they should never be the final step in the review process. As you become immersed in your work for months on end, you lose objectivity. Those intimately familiar with your work will too.

Alpha Readers

Readers who provide detailed and constructive feedback, both positive and tactfully critical, about your book’s premise, plot, characters, and other elements. This is the place to include readers who have knowledge of the technical elements in your manuscript. 

Whether you choose to hire a professional, or ask a trusted friend or relative, they should be aware that they are commenting on an unpolished (first) draft. They should also be avid readers of your book’s genre or sub-genre. Consider this the first test drive of your overall story from a reader’s perspective. 

Beta Readers

Beta readers (or betas) critique finished manuscripts before they are published. It’s advisable to have betas who are familiar with your genre/sub-genre. Betas can be friends, family members, teachers, members of online writing groups, or other writers willing to do a manuscript swap. This will help identify the finer points of your book that may need an adjustment. Ideally, you’ll have no fewer than two and no more than five, allowing for a comparison of opinions without the risk of opinion overload. If one beta reader doesn’t understand why your protagonist hates red, that might be a point worth clarifying. If two or more betas don’t get it, it’s a must-fix. 

While betas are an excellent way to obtain (often free) feedback, they do not replace the role of a professional editor. There is one school of thought that because traditional publishers pay for editing, there is no need for authors to incur this expense if their intention is to traditionally publish. 

Let’s look at that statement. Is it true that traditional publishers hire and pay for editing services? Yes. However, it’s equally true that agents and publishers receive thousands of submissions from aspiring authors every year. While there are no guarantees, a professionally edited manuscript may increase the odds of acceptance. 

Developmental Editing

Also known as substantive or content editing, developmental editing is the first step, focusing on big picture story elements. The developmental editor will also assess and shape draft material to improve flow and organization by revising or reordering content and clarifying plot, arc of action, characters, and/or thematic elements.

Line Editing

Also known as stylistic editing, the line editor focuses on coherence and flow, eliminating jargon, clichés, and euphemisms, while adjusting the length and structure of sentences and paragraphs, and establishing or maintaining the overall mood, style, or voice.

Copyediting

Ideally combined with line editing, the copy editor checks spelling, grammar, punctuation, and usage, and ensures consistency in character names, places, descriptions, and other details. Copy editing also covers fact checking and/or obtaining or listing permissions needed (e.g., use of song lyrics or trademarked products). The copy editor may create or work from a style sheet.

And there you have it, feedback in a nutshell. Now all you need to do is write that book. Hey, if it were easy, everyone would do it.

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A former journalist and magazine editor, Judy Penz Sheluk is the bestselling author of two mystery series: The Glass Dolphin Mysteries and Marketville Mysteries. Her short crime fiction appears in several collections, including the Superior Shores Anthologies, which she also edited.

Judy has also written two how-to guides to publishing. Finding Your Path to Publication: A Step-by-Step Guide was the Winner of the 2024 Killer Nashville Silver Falchion Award for Best Nonfiction. The follow-up to that book, Self-publishing: The Ins & Outs of Going Indie, provides an insider’s insight into the world of self-publishing. 

Judy is a member of Sisters in Crime, International Thriller Writers, the Short Mystery Fiction Society, and Crime Writers of Canada, where she served on the Board of Directors, most recently as Chair.

The Art of Writing Fast (Part II)

By Chrissy Hicks

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In Part I of The Art of Writing Fast series, I discussed the benefits of Fast Writing (both what it is and why it’s awesome sauce!) Now, I’d like to share the “how” behind this technique…

The “How” of Fast Writing

1) You need a plan

Yes—YOU! You need one. Period. Whether you’re a pantser, planner, or plantser, one of the most effective ways to write fast is to have an outline. And before you throw a fit about outlines…ultimately, whatever process works best for you is what you should stick with. Can you speed through a 50,000+ word first draft with no outline and only an idea in your brain? Absolutely. Just because I don’t, or some people find that difficult, doesn’t mean you shouldn’t if you can. However, it does make it a lot easier to provide direction and can help avoid writer’s block if you get stuck somewhere along the way. But it’s not impossible. So yes, this method can work for everyone. However, I still suggest creating an outline. It does NOT need to comprise an elaborate blue print with character worksheets and maps and a play-by-play of every action. But it should at least include a basic 3-act structure. What happens in the beginning? How do things get harder in the middle—what’s the big setback/challenge? And how does it end? You can do this at the beginning, before writing, or you can do it during your writing. Just keep a notebook or other document open on your screen and note what happens in each chapter as you go. This way, when you get to the end, you can review it and see if the structure still makes sense. Or, if you get stuck somewhere along the way, you can review the outline and see if it still makes sense, if you should take a different turn somewhere, or if you notice a pattern or theme emerge that will help you decide what happens next. Whatever the case, a guideline of some sort will only help, not hinder, your progress as you sprint toward “The End.”

2) Figure out how long it will take

Like with any goal, this will require dedicated time, energy, and discipline. Try this exercise to see how long it might take you to complete a novel:

• Set aside an hour where you know you will not be interrupted (turn off your phone/TV, etc…). Lock yourself in a room and ensure you have everything you need (water, coffee, etc.)

• Prep your computer (or notebook/pen) and set yourself up however you prefer to write

• Have a timer ready and set to go off at one (1) hour

• Start the timer and write for an hour. You can write about anything you want, but preferably in the genre you enjoy most (or are most comfortable writing in). You can use a prompt book or prompt generator to get you started. Here are a couple of good ones: 

• Reedsy: https://blog.reedsy.com/writing-exercises/ 

• The Nudge: https://thorncraftpublishing.com/nudge#305d26da-b9cd-4d7d-859d-48335e22ff02

• The 3AM Epiphany: https://www.goodreads.com/book/show/263288.The_3_A_M_Epiphany

• The only rule is DO NOT STOP! If you must (such as, all that coffee you chugged before starting just hit your bladder something fierce), pause the timer and restart as soon as possible. But overall, focus on getting as many words on paper as possible 

• At the hour mark, check your word count. Most programs will have a word count built in, but if doing this by hand, you’ll need to physically count the words

If you’re able to do this 3 times, whether the same day or on 3 separate days, you should have a good average number for your “hourly word count average.” Doing so on 3 separate days will provide a more accurate number, mainly because, if you have one superb day with 3 hours to spare, the words you knock out might not reflect your average word count…thus, spreading out your days will give you a more accurate picture.

My average word count in one hour, without too many breaks, is about 1500-2000 words. Some days are better than others, but that’s about what I’ve been able to achieve. I’m not throwing this out there as a comparison—if you can do much more, that’s awesome! If you came up with much less—no worries! If it’s your goal to achieve a higher word count average in an hour, there’s no better time to practice than now while writing your next book. ( ;

3) Schedule your writing time

Once you’ve got an idea of how many words you can achieve in an hour (give or take), divide that by the word count goal for your book. 

Example: 80,000 / 1500 (avg hrly words) = 53.3 hours. 

For the sake of keeping this simple, let’s say it takes 54 hours for you to write an 80,000-word rough draft. Now all you need to do is look at your schedule and find 54 hours. Easy peasy. 

Okay, so it’s not that peasy. For some people who are currently adulting (i.e., work full-time and have kids and responsibilities, like moi), 54 hours can seem overwhelming. But I guarantee you, it’s not as bad as you think. I’ll bet you can find time to squeeze it in amidst the daily grind. Do you commute to work by train or bus? You could write during that time. Maybe during lunch break? How about after the kids are tucked in? As you study your daily habits and the average day-to-day schedule, you’ll likely find places where you could substitute an activity for writing. If you binge-watch Netflix shows for 4 hours on a Saturday night, cut that to 2 hours and spend the other 2 on writing.

4) Use all the tools (or none of them)

Consider doing word count sprints. Or using a Pomodoro timer while you write. Bribe yourself with treats when you hit word count goals! Example: Once I make it to 30,000 words, I’m getting an hour-long massage. / For every 5,000 words I hit, I’m eating a chocolate chip cookie.

5) Support

Having others support you and your goals is always important. And I hope you have those people in your life. Tell your close friends, your spouse, your kids, etc., that you’re working to accomplish this goal of finishing a rough draft. Doing so will give you accountability, but also (hopefully) show those around you that you’re not ignoring them when you turn down a lunch date or night out. Rather, you’re working hard to complete a project that has a lot of meaning to you. This doesn’t mean you should isolate yourself from everyone and neglect your family (and if you’re Googling things like “At what age can children be left alone before DCS intervenes?” Then you might need to rethink some priorities…). But overall, you’ll likely turn down invites you wouldn’t normally, or be less available during the time you’re focused on speeding through a first draft. It’s good for those who care about you to know what you’re up to. After all, they may be your greatest cheerleaders along the way.

Self-care is another important focus here. It’s easy to lose sight of everything else when you’re hyper-focused on something. But don’t forget to get up, stretch, go for a walk, hit the gym, and take breaks as needed! Your body will thank you for it. If you’re writing the entire draft by hand (bless you), you’ll want to do regular wrist-stretching exercises to avoid writer’s cramp. (In fact, you may want to do these for long periods of typing too…). If you need to schedule in these breaks, then by all means, do so!

If you’ve stuck around for this long, you might be thinking “Hey! Maybe I can do this!” And yes, the answer is absolutely 100% you can. You’ve got the what, the why, and the how. Up next: WHEN and WHERE to Fast Write (in Part III of the Art of Writing Fast series).