KN Magazine: Articles
Between Pen and Paper: Flaneuring Through a Writer’s Mind – Maintaining Resolutions
By Andi Kopek
Today, as we flaneur through a writer’s mind, we stumble into the dark corners of failed New
Year’s resolutions.
It’s February. Early February as I write these words, and mid-February or later as you read them. (This column, as part of Killer Nashville Magazine, will most likely reach you on Tuesday, February 18, 2025.) By now, the excitement of New Year's resolutions has faded, often replaced by the bitterness of broken promises. The January miracle didn’t happen. Gyms are half-empty again. I can already see buds forming on the tree branches, whispering, "Spring is coming."
Soon, it’ll be time for Spring Resolutions, so let’s talk about what actually makes a resolution successful—so that we might avoid Spring’s “inevitable” disappointment.
Writers & Resolutions: Why Do We Struggle?
Writers, of course, are no strangers to resolutions. Many of us eagerly declare our goals at the start of the year: "I will write more!" And yet, despite believing we were born to write, despite feeling it is our calling, our destiny, we fall into the same trap as everyone else—abandoning our resolution by February.
But what about our characters? Have you ever considered that they might also set New Year’s resolutions—maybe even without us realizing it?
Ask your serial killer protagonist about his resolution. Perhaps he wants to increase his yearly quota by 10%.
What about your vampire? Maybe she has vowed to feed only on eco-friendly, organic- conscious individuals with well-maintained work-life balance this year.
And your poltergeist ghost? Maybe it's decided to put some beat on an erratic flickering of lights and slamming cabinet doors and sync them perfectly with Bob Marley’s greatest hits.
Yes, indeed—most of us fail to achieve our New Year’s resolutions. And, probably, so do our characters.
Why Do Resolutions Fail?
First, based on the Behavior Change theory, our goals are not, most likely, SMART - Specific, Measurable, Achievable, Relevant, and Time-bound. What is important is that a successful New Year resolution needs to fulfill all of these criteria at once. In order to be in 9% of Americans who successfully keep their New Year’s resolution throughout the year, our set goal needs to meet ALL of these criteria. Not just one. Not just most. All. The resolution needs to be
Specific AND Measurable AND Achievable AND Relevant AND Time-bound. I would also add “I” to it for Individualized, making it a SMARTI goal. Only by meeting all these features simultaneously can we ensure our New Year’s resolution succeeds.
Writer’s SMARTI Goal
What that would mean for a writer? Here is an example. A typical writer’s resolution may look like this: “I want to write more this year.” This goal is vague, unmeasurable, and lacks structure. What does “more” even mean here: more than last year or more consistently? There’s no way to track progress, there is no deadline, and no plan to achieve it.
Let’s turn it into a SMARTI New Year’s resolution: "I will write 500 words every weekday for the next three months, using a writing tracker to measure progress, and completing a short story by April 31st.”
Why this is SMART?
✔ Specific – Instead of just "write more," it defines how much (500 words), how often (every weekday), and what kind (short story).
✔ Measurable – 500 words a day is a clear metric. A writing tracker will show progress.
✔ Achievable – 500 words a day is reasonable for most writers, unlike “write a novel in two weeks.”
✔ Relevant – This aligns with the writer’s goal of writing consistently and producing stories.
✔ Time-bound – The goal has a three-month deadline and an end product (short story by April 31st).
✔Individualized – this resolution will work for YOU but may not for someone else. So, YOU need to be sure that writing 500 words a day is achievable by YOU.
TIP - you need to be painfully honest with yourself, particularly regarding the achievable criteria. If you never had a week of writing every day 500 words it is unlikely you can keep it up for 12 weeks. Scale it down to a truly realistic number for YOU.
Our Characters’ SMARTI Goals
A serial killer poor New Year’s resolution: "I want to kill 10% more people this year.” Improved, SMARTI New Year’s resolution of a serial killer: "I will successfully eliminate 12 targets this year (one per month), focusing on high-profile yet low-risk victims. I will track progress through coded journal entries and refine my methods after each incident. By December 31st, I will have executed my most sophisticated kill yet, leaving behind no forensic evidence."
Breaking down the SMARTI Goal:
✔ Specific – Specifies how many (12), who (high-profile, low-risk), and how (refining methods).
✔ Measurable – One kill per month = clear, trackable progress.
✔ Achievable – A realistic pace for a professional in the industry (not over committing to an unmanageable spree).
✔ Relevant – Directly aligns with the killer’s long-term ambitions of perfecting their craft.
✔ Time-bound – Has a strict deadline (December 31st).
✔ Individualized – Tailored to the killer’s unique modus operandi.
Our vampire's resolution looks better: “to feed only on eco-friendly, organic-conscious folks with well-kept work-life balance this year” but still is not SMARTI. It’s vague: what even counts as "eco-friendly"? Are we talking vegan yoga instructors or just people who recycle? There is no measurement: How many organic-conscious victims per week?; no timeline, no tracking method, and no individualization.
Let’s turn it into a SMARTI goal: "I will exclusively feed on at least 3 ethically sourced, organic- conscious individuals per week, ensuring they meet my sustainability criteria (vegan diet only, who compost, and have a verified work-life balance). I will document it in my 'Vampire Ethical Consumption Ledger.' By the end of the year, I will reduce my carbon fang-print by 30%.” (A carbon fang-print: a measurement of vampire’s environmental impact based on their’s feeding habits and lifestyle choices).
Why this is a SMARTI goal:
✔ Specific – Defines who qualifies as a viable target and how often.
✔ Measurable – Blood consumption is tracked through the Vampire Ethical Consumption Ledger, and the carbon fang-print is quantifiable (30% reduction).
✔ Achievable – A realistic pace for a vampire looking to maintain both health and sustainability.
✔ Relevant – Aligns with the vampire’s dietary ethics and personal mission of sustainable feasting.
✔ Time-bound – weekly and yearly goals are set.
✔ Individualized – This is tailored to this vampire’s ethical lifestyle—other vampires might still prefer aristocratic blood or an all-you-can-tap buffet.
Is our poltergeist ghost’s New Year’s resolution “to put some beat on its chaotic activities, and flicker the lights or slam cabinet doors to Bob Marley’s tune” SMARTI?
Let’s check it out!
✔ Specific – No! “Put some beat to Bob Marley’s tune” is quite vague.
✔ Measurable – Nope! How can we determine that all of the flickering and slamming is actually in tune?
✔ Achievable – Probably! “Putting some beat” sounds rather simple to do.
✔ Relevant – Yes! It aligns with the poltergeist’s core purpose of supernatural disturbance.
✔ Time-bound – Not really! There’s no deadline for when this musical haunting should be mastered.
✔ Individualized – Yes! This is not a generic haunting strategy—it’s personalized to the ghost’s artistic ambitions and musical taste.
Let’s revise it to make it 100% SMARTI resolution:
"By June 30th, I will master flickering lights and slamming cabinet doors in perfect rhythm to ‘Three Little Birds’ beats and progressing to fully blown ‘No Woman, No Cry’ performed on all kitchen cabinetry doors and under cabinet lights. I will document my progress by scaring at least three paranormal investigators who will confirm the haunting's musical accuracy on their social media."
✔ Now it has a deadline (June 30th)
✔ Song choices are clear (starting point, progression plan)
✔ It’s measurable (ghost hunters’ reaction = proof of success)
✔ Structured approach (from basic beats to full reggae ghost orchestra)
Final Thought
If you're scared to commit to a New Year’s resolution, seek refuge in etymology. Resolution comes from the Latin root "resolutio", meaning "loosening, untying, or breaking down into simpler parts."
So, just loosen up a bit in 2025—starting now.
I know, that’s not a SMARTI goal.
But it is a FUN goal.
(And FUN is not an acronym. Just pure joy).
Andi Kopek is a multidisciplinary artist based in Nashville, TN. With a background in medicine, molecular neuroscience, and behavioral change, he has recently devoted himself entirely to the creative arts. His debut poetry collection, Shmehara, has garnered accolades in both literary and independent film circles for its innovative storytelling.
When you’re in Nashville, you can join Andi at his monthly poetry workshop, participate in the Libri Prohibiti book club (both held monthly at the Spine bookstore, Smyrna, TN), or catch one of his live performances. When not engaging with the community, he's hard at work on his next creative project or preparing for his upcoming art-focused podcast, The Samovar(t) Lounge: Steeping Conversations with Creative Minds, where in a relaxed space, invited artists share tea and the never-told intricacies of their creative journeys.
FB: https://www.facebook.com/profile.php?id=100093119557533
Between Pen and Paper: Flaneuring Through a Writer’s Mind – Finding Inspiration
By Andi Kopek
A few days ago, an email landed in my inbox with an intriguing idea: Contribute to Killer Nashville Magazine! The email encouraged writers to submit single pieces, pitch the entire series, or even become regular columnists. My immediate reaction? “Hell, yes! Go for it!”
I had the privilege of volunteering at the most recent Killer Nashville conference, contributing by reviewing submissions, bringing authors’ work to life through live readings, and assisting the logistics team. It was a rewarding experience in every sense, but what struck me most was the event’s outstanding quality and the immense value it provided to its participants. So, when the opportunity arose to contribute to the magazine—an extension of the conference—I jumped in headfirst.
When I emerged from the pool of excitement, I asked myself, “What do you want to write about?” This reflection led me to the title of my potential column: Between Pen and Paper: Flaneuring Through a Writer’s Mind. Titles are vital; they serve as beacons from a lighthouse of purpose, guiding the writing ship through the tumultuous seas of creativity and storytelling.
Why Between Pen and Paper? Because I believe entire worlds exist in that space. There are foggy worlds of undiscovered desires, passions, and failures hidden in a writer’s mind. Mundane worlds of endless research and labyrinthine directories of folders within sub-folders, within sub-folders holding googol amount of Googled information. And then there are fantasy worlds, where pages transform into smiling green Benjamins, and bank accounts grow fat like grizzly bears before La Niña’s winter.
These are the fascinating worlds I want to explore, and I’d like to invite you to come along.
There are countless ways to explore a world: you can hop on a plane with a packed itinerary and check off every tourist hotspot, or you can stand by the side of the road with a thumb outstretched, waiting for the unpredictable. I’ve traveled the world both ways—and in some others—but my favorite is through flaneuring.
What is flaneuring? Flaneuring, or flânerie, was born in the literary circles of 19th-century Europe. A flâneur—a person who practices flaneuring—wanders the streets of a city, observing and reflecting on its urban landscape. Edgar Allan Poe introduced this concept to literature in 1840 with his short story “The Man of the Crowd.” Charles Baudelaire discussed Poe’s story in his “The Painter of Modern Life”, Victor Fournel dedicated a chapter of his book “Ce qu'On Voit dans les Rues de Paris” (What One Sees in the Streets of Paris) to “the art of flânerie”, Honore de Balzac described flaneuring so poetically as “the gastronomy of the eye” in his The Physiology of Marriage.
Inspired by this contemplative form of exploration, I propose we flaneur through the vast worlds of a writer’s mind. Let’s begin our journey where all stories originate—with inspiration.
Inspiration is a mysterious, almost sacred force. It ignites a writer’s unexplainable desire to tell stories. Suddenly, an event, a thought, or a fleeting moment pierces the thick skin of mundane reality and touches the soul of a writer, compelling us to create something meaningful.
As I wander through the inspirational world, I notice three distinct types of inspiration:
1. Inspiration in Everyday Life
Everyday life is full of untapped creativity. When I go grocery shopping, I’m not just buying food—I’m observing the world around me. I observe what people buy, how shoppers interact with each other, or how couples move through the aisles. To sharpen my focus, I sometimes wear muted earphones to amplify my visual senses. Conversely, in a café, I close my eyes sometimes to heighten my auditory awareness, letting the noise and rhythm of conversations spark ideas. These ordinary moments can inspire characters, dialogue, or the subtleties of a scene.
2. Inspiration from Personal Experiences
Personal experiences are a treasure trove for storytelling. At the end of the day, what we know the best is our lives. While not everything we write is autobiographical, our lives provide rich emotional material to draw upon. Moments of joy, heartbreak, or vulnerability can shape authentic characters and relatable narratives. Think about waiting for a life-altering diagnosis or experiencing the bittersweet ache of nostalgia—these emotions can become the foundation of an interesting story. Ultimately, our personal experiences, whether mundane or monumental, can allow us to explore universal human truths.
3. Inspiration by Nature
Nature offers boundless inspiration. When I’m going for a walk, doesn’t mean I want to write a hiking guide. Nature is full of parables, similes, and metaphors. The way rain reshapes deer hoofprints in mud might inspire a crucial clue in a detective story. The oppressive darkness of a moonless forest could set the tone for a psychological thriller. Even the smell of freshly turned soil might spark the perfect ending to a murder mystery. When we observe nature with a writer’s eye, we uncover stories waiting to be told.
These diverse sources of inspiration—everyday life, personal experiences, and nature—feed our creativity and provide the raw material for storytelling. They can ignite an entire novel, inspire a unique character quirk, or shape a single unforgettable moment in a story. Inspiration doesn’t always arrive fully formed; sometimes, it’s just a fragment—a fleeting image, a snippet of dialogue, or an emotion—that grows as we nurture it. If we keep our minds open, inspirations come constantly in our direction, so we should be prepared to welcome them and, if not used at the moment, have a way of storing them for later.
The word inspiration comes from the Latin inspirare, meaning “to breathe into.” And that’s exactly what inspiration does—it breathes life into our thoughts, transforming them into vivid, imaginative creations.
So, let’s embrace every inspiration we encounter, at every step, at every turn as we flaneur through the intricate worlds of the writer’s mind.
Andi Kopek is a multidisciplinary artist based in Nashville, TN. With a background in medicine, molecular neuroscience, and behavioral change, he has recently devoted himself entirely to the creative arts. His debut poetry collection, Shmehara, has garnered accolades in both literary and independent film circles for its innovative storytelling.
When you’re in Nashville, you can join Andi at his monthly poetry workshop, participate in the Libri Prohibiti book club, or catch one of his live performances. When not engaging with the community, he's hard at work on his next creative project or preparing for his upcoming art-focused podcast, The Samovar(t) Lounge: Steeping Conversations with Creative Minds,where in a relaxed space, invited artists share tea and the never-told intricacies of their creative journeys.
Submit Your Writing to KN Magazine
Want to have your writing included in Killer Nashville Magazine?
Fill out our submission form and upload your writing here: